The Labyrinth Project

Yesterday I had my first site rehearsal for the Labyrinth Project with two Mendana Productions dancers. We used the labyrinth at St Paul's Episcopal church in Seattle as it is open to the public and we mostly had the courtyard to ourselves. And, in true Seattle fashion, it did rain on us, but only a little bit.

I am relatively new to labyrinths. I went to a labyrinth workshop earlier this spring and learned about how this concept stretches across centuries, across cultures, across religious traditions. They are meant to be a meditation practice, a personal journey into the unknown, a time for self reflection or soul searching. Then, last Saturday, the labyrinth was introduced in my birthing class as a metaphor for going into labor. (Perhaps I will write more about that another time!)

Now, I am bringing the labyrinth practice together with my dance practice.

In rehearsal, we played with the InterPlay concept "Dancing on Behalf Of". The invitation to the dancers is to hold an intention, a question, a concern, while moving. This gives us something bigger than just ourselves to relate to while doing what we do best: dance. We danced on behalf of our own question. We danced on behalf of each other's questions. And we ended by dancing on behalf of the abuse of power in the world. These intentions give our improvisations a sense if immediacy, a way to relate to the world and each other in our abstract expression.

Please share your own labyrinth experiences. What kind of questions do you hold as you walk a labyrinth? Has it been a transformational experience for you? Have you learned something new or gained a new insight? This project is in the very earliest stages of exploration. I would love to hear your labyrinth stories!

I can talk about...

I can talk about backpacking with my sister-in-law, Hilary Shaw.

In InterPlay settings, we practice a form called "I can talk about..." We don't actually talk about the subjects we list, we just list topics we could talk about at some future time. It is a great form for conjuring ideas when, perhaps, I think that I don't have anything to say.

I can talk about being inspired by Elizabeth Gilbert over breakfast this morning.

I can talk about auditions, how similar it is for me to audition as a pilates instructor and as a dancer.


I can talk about my impromptu trip to Bainbridge Island for the first time last night.


I can talk about my current struggle to structure my transition time.


I can talk about my coffee shop choreography idea.


I can talk about some of the "tight" movement vocabulary in Amy O'Neal's choreography last weekend.


I can talk about how "tight" means awesome rather than rigid.


I can talk about Gretchen Wegner's blog posting about "How to be a Sensuality Slut."


I can talk about wanting to learn to play mandolin.


I can talk about singing harmony with my husband in the car on our drive to Seattle.


I can talk about the difficulty of obtaining a Washington Driver's License and the ease of obtaining a Seattle business license.


I can talk about the creative and funny 10 and 12 year olds in the house where I am staying.


I can talk about planning my honeymoon.


I can talk about kayaking on Lake Washington on Sunday.


I can talk about the canoe that flipped over.


I can talk about people watching, laughing when I probably shouldn't.


I can talk about my epic quilt project.


I can talk about my trips to the hardware store.

I can talk about spilling coffee on my computer keyboard first thing Monday morning.

That's probably a good list for today! What are some topics you can talk about?

"How Have You Changed As A Performer?"

This week I taught my final InterPlay Performance Technique class. (The class will continue with the awesome leadership of Gretchen Wegner! Read more about our last class and our F-ing Great Art.) As Gretchen and I took some time to reflect on the past three years of teaching this class together, she asked me, "How has InterPlay changed you as a performer?" What a great and profound question! Several answers came to mind fairly quickly:

1) InterPlay has given me access to a full range of expression. I used to be scared to death to talk or use my voice in front of people. Ask me to move? No problem! I could do that for hours. I did not know at the time that I wanted more possibilities than that. But now that I have those possibities, I can't imagine dance-making without it! This has come in handy specifically when performing with Epiphany Productions Sonic Dance Theatre and when I played the role of Miranda in Shakespeare's Tempest.

2) InterPlay has awakened a passion for integrating story and choreography. When I first moved to San Francisco in 2002, I choreographed a solo as a response to my overwhelm with homelessness and panhandling. I had never lived anywhere with so many homeless people. The dance was abstract and perhaps a little indulgent (debatable, I'm sure) and I did NOT speak onstage. In 2008, I interviewed female WWII veterans to use their stories and their words as inspiration and as text for In Remembrance Of. All of the dancers (me included) sang, spoke, and danced our hearts out onstage.

3) I have new visions of gathering stories from the street, partnering with some organizations that are helping people on the margins, and creating more dance theatre--not about indulging my desire to express my overwhelm, but truly trying to bridge a gap in our society. Ambitious--I know! InterPlay has unlocked some big visions. There will definitely be some smaller projects along the way to fruition. This one could take a few years.

4) Through the InterPlay community, I received so much affirmation and validation of myself as an artist and the art that I create. I feel a little squeamish admitting this one. I shouldn't need external validation to claim myself as an artist, right? But in a little way, I do. I need to hear, every once in awhile, that what I am creating or what I am offering the world is valid and valued. I have the deepest gratitude to the InterPlay community and to the co-founders, Cynthia Winton-Henry and Phil Porter, for their continued support and affirmations.

Thank you, Gretchen, for asking. And thank you for being such an incredible co-teacher. Thank you to all of the individuals who have been "regulars" to this class at various times.

Art Every Day Month--Nov 11th

Ack! The month began to slip by without documenting my art making!

A quick recap of the last few days:

Nov 7--I performed with WING IT! Performance Ensemble for our InterPlay celebration and fundraising event. I had a friend take some video for me during the event, but then lost the camera on my way home. Nothing to post. :-(

Nov 8--I spent the day at my Pilates training, met up with friends for Tiki drinks, met up with other friends for a late night cup of tea. The tiki drinks were very creative! Does that count even though I didn't make them?

Nov 9--I spent the day in the theatre hanging lights for Shared Space 3. I am designing the lighting for this dance show this week. If you are in San Francisco this weekend, I highly recommend coming to see it!

Nov 10--Spent the day working in the InterPlay office and then taught my InterPlay class. We practiced different vocal techniques for storytelling. We did some small mini performances at the end--Three sentence stories to be exact.

Nov 11--TODAY! Well, you can see I finally went back to painting again. I felt a little out of the groove and am not satisfied with the final product. Maybe I will revisit it again in a few days and see if I feel inspired to alter it then.

And there you have my series of Three Sentence Stories covering the missing days of art making on this blog!